[转贴][外网][剧情][恐怖分子.The Terroriser.1971][D-M/1490MB][国英双语多字]

枫华

Edward Yang - Kong bu fen zi (恐怖份子) ('The Terrorizers') (1986)

1490.8 MB | 1:48:59 | Mandarin with English, Spanish, French, and Chinese s/t | x264, 1714 Kb/s | 872x480
Terrorizers.1986.edward.yang.dvdrip.x264.ac3.2ch.[allzine].mkv

编      剧: 杨德昌 / 小野
导      演: 杨德昌
主      演: 缪骞人 / 李立群 / 金士杰
地      区: 香港 / 台湾
上映时间: 1986
语      言: 汉语普通话
又      名: The Terroriser
内容简介:
      老顾（顾宝明 饰）率领警察捣毁一个贼窝，唯一跳窗逃走的女孩淑安腿骨折断，被路过的男孩小强送去医院。
　　淑安返家后，被母亲关在家中，无聊时四处打电话恶作剧，其中一个电话打给了一个叫周郁芳（缪骞人 饰）的女人，她假冒是周的丈夫在外面的女友，怀孕了要她出来谈判。周郁芬嫁给李立中（李立群 饰）已经有七年，丈夫是个安分守己的男人，在一家医院工作。结婚后她辞了工作，在家写作。匿名电话深深刺激了周郁芬，她对生活失去信心，而旧情人沈维彬（金士杰 饰）的出现也给了她希望，于是她暂时离开李立中，小说也获了奖。
　　分居使得李立中十分苦恼，后来他得知妻子离去只是因为一个电话，急于解释但并不奏效，最后铤而走险……  








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Just as Antonioni uses dislocation as a means of conveying alienation, Yang chooses to use absentation--the absence of things--as a thematic device. Throughout the narrative one is reminded of the absence of fathers--both socially and politically. It is the absence of leadership. Elsewhere, absentation is employed when the photographer decides to turn an apartment into one huge darkroom which denies him the reality of time while permitting him to create a world of his own. At one point, a teenage girl whom he temporarily harbors asked him if it is day or night. When the camera finally peeps outside the apartment Yang gives us neither day nor night but that brief moment in time when light gives way to darkness or darkness breaks into light. It is here that Yang best captures the logic of that dream world: his protagonists are merely phantoms suspended in time. It is the absence of time. Throughout the narrative one is sometimes puzzled by the seemingly lack of explanations: the initial breakup of the photographer and his girlfriend (witnessed over the soundtrack of "Smoke Gets in Your Eye"); the return of the photographer's stolen cameras; the breakup of the married couple; the status of the policeman with no emotional or physical ties. It is the absence of elucidation. Unlike the works of Antonioni where there is always a central character whose viewpoint mirrors our own, functioning as a filter of reality, Yang denies us of such privilege. The impossibility of identifying with any character may be disorientating but it also serves as a metaphor of a city that has lost its moral compass. It is the absence of a central viewpoint. Absentation is clearly an effective tool in exploring the void that lies at the heart of modern culture--it is the black hole of the human condition.










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三人同行

片子真是难得,谢谢楼主分享.

中学生

片名《恐怖分子》，内容好象不恐怖。

萍水相逢

额 页面打不开！
杨德昌，华语影坛的不朽大师

念紫枫

是一直想看的经典！金士杰李立群顾宝明难得聚首，加上气质独特的缪骞人